This ceramic sculpture depicts a profile view of a head, rendered in black and white with a distinctive grid pattern overlaid across the surface. The piece combines anatomical and botanical elements - the profile is segmented by gridlines containing Chinese characters, while large black leaf or tree-like forms with intricate branching patterns emerge from the head's interior. These organic shapes contrast sharply with the geometric grid structure. The surface has a weathered, textural quality with subtle shading around the facial features. The overall composition suggests an interplay between structured order and natural growth, perhaps reflecting the title's reference to "kitchen vanity" through its blend of domestic grid patterns and organic forms.