A cylindrical light installation dominates the gallery space, featuring a large-scale projected image wrapped around its curved surface. The projection is intersected by horizontal bands of vibrant orange and red light that slice across it, creating a striking pattern of illuminated stripes. The overall effect suggests digital distortion or interference, with the light patterns "polluting" the primary image as referenced in the artwork's title. The cylinder appears to be suspended from the ceiling in a minimalist gallery setting, with other framed artworks visible on the white walls in the background. The interplay between the cool blue tones of the main projection and the warm orange-red stripes creates a dynamic visual tension, while the curved surface adds depth and dimensionality to the piece.